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The Qollyur rit’i Festival A
mountain woman's mystical journey in Peru
by Peggy Dylan . |
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I had a
pang of doubt as I sat on a rock near the ancient Inca
fountain. The water arched in a sparkling bridge from
deep in the mountain into the beautifully rectangular,
hand-hewn stone that formed the base of the fountain.
We were a few miles from Cusco, the erstwhile Inca capital,
at an open-air temple the Incas used for ritual purification.
The green hills folded gently around us like the Great
Mother's arms, and the thin air smelled fresh and sweet.
Snow capped peaks could be seen in the distance, the peaks
we'd be heading to for the festival. |
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All
I could concentrate on at present was the little shaman,
too shy to look at us, sitting by the fountain, huddled
in his poncho, his face hidden under his large hat.
He was dressed in a traditional red poncho, homespun
black pants that barely covered his knees, hand made
sandals and a bowler type hat made from pounded wool.
He was supposed to be leading a ritual of purification
for my group to prepare us for the pilgrimage. We had
come to this quiet place early in the morning to meet
up with Don Ramon, the
Q'ero shaman who was to be our
spiritual guide to the Qollyur Rit'i Festival.
The Snow-Star Festival. |
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For
fifteen years I have attempted to break down the barriers
which separate travelers from the true indigenous healers
in Peru. The Peruvians have had to hide away their native
children in order to keep the Andean Religion alive
in the face of conquering Catholicism. It is easy to
find "market shamans", people who feed tourists
a mix of new age thoughts along with a smattering of
Andean mysticism. But it is almost impossible to locate
a true healer, who has the ancient knowledge still intact,
and is willing to share with Westerners.
After fifteen years of forging this tentative trust
we were finally sitting at the water temple with Don
Ramon, who is a Q'ero Pampamesayuq, a 'knower'
of the profound secrets of Pachamama, Mother
Earth. |
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He is entrusted
with exclusive and sacred ceremonies; and he was too shy
to talk. His tribe, or what in Peru is referred to as
his nation, the Q'ero, live a few days
walk from where we were and they had no contact with the
occidental world until fifty years ago, when Don Ramon
was a young man. Living so high and self sufficient in
the Andes they were not found, and so their roots not
destroyed by the conquistadors nor the equally socially
destructive missionaries. |
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Don Ramon
had never interacted with white people in a personal way,
little alone tried to do ceremony and attempt to teach
us some of his ways. My doubts had nothing to do with
his ability, but with the inevitable changing of his world
that true contact with ours would have. If I had taken
a deeper look at him I could have laid my doubts to rest,
but I was blinded by my preconceived ideas about the vulnerability
of native cultures. He was gnarly and weathered like the
high mountains he came from, mountains which had survived
the ravages of time, mountains he prayed to and used for
guidance. He is the human expression of those mountains.
How can one change that which is just so? I would find
out the change would go the other way, his inherent connection
to nature would touch each of us in a deep and mysterious
way. |
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Still sitting
with his head bent, his hat pulled low over his eyes,
he mumbled something. Richard, the translator and our
mutual friend, leaned down and asked him to repeat what
he had said. Don Ramon lifted his head to speak to Richard
and caught sight of our timid group sitting around him
feeling out of place and humbled to find ourselves in
the presence of this amazing little man. His face changed
as he looked at us, his eyes widened in astonishment and
then slowly a smile started to spread, crinkling his weathered
face even more. And then he started to laugh: "Oh,"
he chuckled, "…oh…look at that…oh…they
are afraid of me!" He howled with the realization
that we were sitting there completely intimidated with
the depth of the ancient knowledge he carried and a fear
that we'd do something wrong in the unfamiliar rituals.
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The sharing of our cultures began in that laughter which
washed away our mutual sense of inadequacy, of being
judged by a culture foreign to our own. We were just
humans sitting on a mountain together, laughing at our
human foibles. The hills echoed with our laughter. His
uninhibited and natural joy, a joy and depth of life
unrestricted by social conditioning, ran through him
in that laughter and was shared in increments by my
group. Our pilgrimage had begun.
I was first told of the Qollyur Rit'i Festival by another
shaman. For years he urged me to attend, but was hapless
when it came to finding words to describe why. When
I finally went to the festival I was struck speechless,
too. Words can't do it justice; even the mind has difficulty
grasping it. It is a medieval epic, a pre-Columbian
pagan dance, a primal spiritual expression of human
devotion to the sun, the snow, the spirits of the mountains;
even strong devotion to the Christian God and Jesus
is thrown into the mix. It is devotion and love of life
and the Divine expressed through 80'000 natives coming
together to pray, dance, and affirm life in ancient
ritual. |
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| Standing above the
festival on the small outcropping Don Ramon had chosen
as the campsite for our group and looking down on the
spectacle and noise my mind grapples with comprehending
it. I am unprepared for the immensity of it, both in physical
terms, the sheer mass of humanity, but also in energetic,
or spiritual terms. My feelings go beyond even the overwhelming
grandeur and awe I experienced when walking into St. Peter's
Cathedral at the Vatican or seeing the Grand Canyon. I
am dwarfed and swept along in the wild expression of prayer
around me. There is nothing in our culture I have found
that equals it. |
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Dancers
come from as far away as Bolivia and Argentina.
The costumes vary widely, from the Spanish mask and dress
style of the Bolivian dancers to the headdresses of macaw
feathers worn by the jungle tribes. Coming from the far
reaches of what use to be the Inca Empire, they all travel
the grueling, dusty, winding and dangerous roads to get
to the base of the mountain. Then comes the arduous daylong
climb to the 17'000 feet high valley, surrounded by glaciers,
where the festival takes place. |
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The journey should
actually be measured in centuries, rather than miles,
as the broiling, devotional, exuberant humanity at my
feet has little to nothing to do with anything modern
man can comprehend. It is elemental in its force and
sweeping in its magnificence, but a subtle order and
organization underlay it. 80'000 people come together
in this small high Andean valley which can only be accessed
on foot. All supplies are brought in on horseback or
by people making numerous trips up and down the mountain
to bring their possessions or wares up. 80'000 people,
all camping in makeshift tents, lots of money changing
hands as people buy their supplies and items for prayer;
and no police, no crime. It is the only time in Peru
when I was not told to watch my bag, be careful of my
pockets, be conscious of my valuables; it is a turning
back of the clock to pre-Columbian Peru. The conquistadors
were astonished when they could ride right up to the
main city and temples without being stopped and challenged.
The Peruvian people are at heart peaceful and
devotional, ready to laugh and dance.
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The flute
music, which reaches me from where Don Ramon has settled
his family for the duration of the festival, is like an
affirmation of the underlying joy in this culture. Life
is short and hard for these mountain people. Let's not
waste it on hard feelings and on making it more difficult
for one another, it seems to say, let us share in the
beauty, let us share in the love of these mountains; come,
come share the little I have, laugh, pray and be happy.
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There's
so much more I'd like to write about. I'd like to tell
you about the Ukukos or Pabluchas, the soldiers
of God as they are called.
They are the real mystics in this ceremony, in their
shaggy costumes, knit masks, whips and high pitched
voices. I'd like you to know about the secret all night
ceremony they do on the glaciers; from which some of
them, they say, do not return. And the magic of their
descent the next morning from the glaciers, deep sounds
emanating from special bottles they blow on, as they
come down in long dark columns, each nation distinguished
by the flags they carry. They bring back large chunks
of ice on their backs from the heights of the mountains,
symbolizing the crystallization of the prayers of their
tribe, the nourishment of their nation. |
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In this time of
painful religious ideology I wish the world could learn
their lesson of smoothly moving between their love for
Jesus and their love for the Apus, the spirits of the
mountains, love in all devotional forms is celebrated.
I'd like to talk about the timing of the festival, a
few days before the June solstice, the darkest, coldest,
harshest time of the year, the hardest and hungriest
time of the year for these mountain dwellers here in
the Southern Hemisphere. I'd like to write about the
prayers of affirmation they act out on the side of the
mountain, building their dreams out of the rocks in
this power-spot, praying fervently that the mountain
spirit, the Apu, hear them.
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But, if
I could find the words, what I would really like to share
with you is the core of what I learned from the festival.
I would remind you that you too have chosen to live in
the mountains because of their timeless quality. The sun
is now returning to us mountain dwellers in the Northern
Hemisphere. We have just come through the darkest time
of the year, the hungriest, most desolate time of year.
Mountain cultures endure. The Andean Religion survives
the onslaught of Western values, the Tibetans will survive
the Chinese Invasion, and we will come through the current
darkness, this attack on our values, the insane greed
and fear currently grabbing our culture, with our nature
still intact and our souls strong. I would remind you
to share the little you have when the climate is harshest,
play your flute and dance when it is cold, and laugh at
the foibles of us humans. Mountain cultures endure; the
mountains make sure we do. Peggy Dylan lives
in Sonora with her husband and mountain man Steve Brougher,
their adult children, when they deem to be home, and animals
too many to mention. |
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